The Diary Of Anne Frank Is A Hoax

You didn`t have the time to read the articles...since I posted them 1 minute ago..

SO:

What interesting timing you have OP.

Childhood friend recalls tragic diarist Anne Frank

Highlights
Anne Frank would have celebrated her 80th birthday this week

Frank, 15, died at Auschwitz concentration camp in Poland

Her diary is one of the world's mostly widely-read books

Like Frank, Eva Schloss and her family fled from Nazi persecution of the Jews.

More.
[link to edition.cnn.com]

That`s why I posted it...

Interesting that we have no way to check and see if their hoax claim is real or not. Just things from online.

This does not mean they are lying, but it also means we can't fully trust what they are claiming either.

It is too easy for people with an agenda to simply cry hoax now! So easy that nothing can be believed unless we can review it with our own eyes.

I saw the house where Anne Frank hid with her family, including the tall bookcase that hid the door to the attic where they stayed for 2 years.

I read her book.

She was real and her book is real.

.

ABOUT ANNE FRANK AND THE "DIARY"



We are told that: "Attempts to have the diary published after the war were initally frustrated by the unwillingness of numerous publishers" (EJ, Vol.7:54). In spite of this, the first Dutch edition appeared as early as 1947 (BE, Vol.6:450 gives 1946) with the title Het Achterhuis, Dagboekbrieven van 14 Juni 1942-1 Augustus 1944. Met een inleiding van Annie Romein Verschoor (Contact, Amsterdam). In Swedish het achterhuis has been translated as "gardshuset:" It is reported that a Norwegian, Mr. Thilo Schoder from Kristiansand received the ORIGINAL manuscript from the Jewish writer Anneliese Schutz who was a former editor of the Berlin paper Die Neue Zeit. Shortly after Schoder had met Mr. Frank in Holland he went to Norway with the ORIGINAL manuscript in order to get it published but all publishers refused it. The report makes it out as if Schoder had got the original "diary" from Schutz (*AB, 1957, Feb. 10). The first German translation or transcription (German: ubertragen, hence not a real translation) came out in Heidelberg 1949 (BE, op.cit. gives the date of 1950, 6th ed:1959) published by Lambert Schneiider. The above A. Schutz transcribed it. Full title: Das Tagebueh der Anne Frank, 14. Juni 1942-1. August 1944. Mit einer Einfuhrung von Marie Braun. The famous Jewish outfit Fischer Bucherei KG Frankfurt a.M. and Hamburg carried it afterward. In 1955 there is a Fischer Bucherei Nr. 77 edition of it with a foreword by Albrecht Goes. (Mit einem Vorwort von Albrecht Goes) This edition was also ubertragen by Schutz.

EBM, Vol. 4:279 claims the girl was born on 12 June 1929 at Frankfurt am Main (Frankfort) and that the first English edition came out in 1953. However our Cardinal edition states that Anne Frank: The Diary Of A Young Girl came out in a "Doubleday edition published June, 1952:" Notice how even on the question of dates, conflicting information is presented in standard reference works.

The first Cardinal printing appeared in October, 1953. Our copy (36th printing, August, 1963) has a "preface" by George Stevens and an "introduction" by Eleanor Roosevelt along with an "epilogue". The book has 240 pages in all. We know that along with Anneliese Schutz at least two other persons assisted Mr. Frank. They were: Isa Cauvern and Albert Cauvern. It is alleged that Anne Frank died at the Bergen Belsen concentration camp due to typhus in March 1945 (EJ, op.cit:53). If the purpose was to exterminate all Jews as is alleged we find it most strange why this girl was first sent: "to Westerbork, and then (Sept ember 2,1944) to Auschwitz-Birkenau" and that "in December 1944 Anne arrived in Bergen-Belsen with her sister Margot" (EJ, op.cit.) a long distance from Auschwitz, not to die of "gassing" but of typhus. All this sort of shipping back and forth seems most' incongruous to us if we are to believe the "extermination" stories. How anyone in a time of full scale war; where transportation and food supplies are severely hampered, can proceed in this manner to "exterminate" people is beyond our comprehension. The whole matter reaches the ultimate in silliness when we are further told that the father, instead of being gassed to death, as was the original purpose, ends up with being hospitalized at Auschwitz; surviving the ordeal (EBM, op.cit.)! The logic of this would mean that the Germans wanted people to be healthy before they were sent to the gas chambers! Mr. Frank's wife died also. He remarried with "Fritzi."

The book has been translated into numerous languages. Some changes have been made from the original Dutch version. A Swedish edition by Lars Hokerbergs Bokforlag, Stockholm, appeared in 1953. A Danish edition appeared in 1956. The Norwegian edition Anne Franks dagbok came out in 1952. The Finnish edition Nuoren tyton paivakirja came out in 1955. An Estonian edition Anne Franki paevik came out in 1958 (ENE, Vol.2:352).

Meyer Levin, who had been a "correspondent" in Spain during the Civil War (1936-39) and later reported the Palestine disorders for the Jewish Telegraphic Agency (1945-46) was, according to EJ the "first writer to dramatize The Diary of Anne Frank (1952)" (Vol.11:109). Whether the lawsuit brought against Mr. Frank by Levin concerned this matter still remains unknown and unless we can examine the complete, original, trial records we are only left guessing. In a letter (BR-RH, Nr. 4, Fig. 6) of 27 April 1977, addressed to Mr. Frank where, amongst other things, this matter of Levin was brought up, the father told us (Ibid. Fig. 7) first that he would give his full assistance (Ib. Fig. 8) and then that he did not want to have anything to do with us in the future!

In the USA it was made into a prizewinning play by Frances Goodrich and Albert Hackett. It was produced as a Broadway Play, October 5, 1955, under the title The Diary of Anne Frank.
"THE DIARY OF ANNE FRANK was one of the most highly honored plays in Broadway history. It was awarded the Pulitzer Prize, the New York Drama Critics Circle Award and the Antoinette Perry Award." (Cardinal ed. back cover, see Fig. 3).

Albert Hackett was born in 1900 (OXAL:340). MWD explains:
"Hackett... Americanplay wright, was a young New York actor in 1927 when he started collaborating on plays with a young New Jersey born actress, Frances Goodrich (1891? - ). She soon divorced her husband, the notable historian Hendrik Willem Van Loon, and married Hackett. Together the Hacketts wrote a number of popular film scripts . . . But their only memorable drama, on which they spent years of research and writing, is the skillful adaption of Anne Frank The Diary of a Young Girl (1947), the moving account of an adolescent Jewish girl who was murdered in a Nazi concentration camp after hiding in an Amsterdam warehouse and office building for two years" (p. 329).

The same encyclopedia reports further on the play:
"Diary of Anne Frank, The, a play in two acts . . . produced in 1955 andpublished in 1956. Setting: a warehouse and office building in Amsterdam, 1942-45 . . . The play, like the diary, has moved audiences all over the world. Both works are bittersweet portrayals of a Jewish adolescent under stress, the more poignant because of audiences' awareness of the cataclysmic events outside the warehouse and the gruesome aftermath. Ready to leave Amsterdam after the war, Mr. Frank reveals his daughter's diary. The scene shifts to the hiding place the Franks occupied from July 1942 to August 1944. Arriving in their upstairs hideout, where they can make no noise whatever during the day, Anne decides to think of it as a strange summer resort. She is strongly attached to her father, argues incessantly with her mother, and has a youthful romance with the shy son of the family hiding them. There are joys and heartbreaks, festivals and fights. Just before the hideout is discovered by the Nazis, Anne describes to her young boyfriend the lovely day she sees through the skylight." (p. 207).

We observe two errors here. First, the diary itself does not confirm the diary itself does not confirm the statement that "they can make no noise whatever." Second, the boyfriend, Peter Van Daan, was not the son of the "family hiding them" but the son of the family hiding with them. Another major source writing about this reckless play is the McWD (Vol. 2:222). On the 26th of October, 1956, the play had its premiere in Stockholm, Sweden, at Intima teatern. Some of the actors were: Anne Frank Harriet Andersson, Mr. Frank Hans Straat, Mrs. Frank Isa Quensel, Mr. Van Daan Sigge Furst, Mrs. Van Daan Marta Dorff, Peter Bo Samuelson, Dussel Gunnar Olsson (*AB, 1956, Oct. 27:3, Saturday). In Denmark the play appeared at Allescenen in 1956 and at Aalborg Teater in 1957 (GSO, Vol. 2:252).

Literally thousands of people have been affected by the play, their tears flooding down their chins. The play is full of distortions where actual events have been faked. The Germans and everything with them are made out as being veritable beasts. The reckless manner in which the play went on in distorting actual events apparently went so far that even Schnabel was forced to give a correction to some of them in his book Anne Frank Spur eines Kindes. In October, 1960, students of the Moscow University gave their first performance of the play the Hacketts made. The stage manager was Ivan Solovjov, attached to the Moscow Yermolova theatre (AFFA:20).

George Stevens produced an expensive film in CinemaScope which starred Millie Perkins as Anne Frank. The Twentieth Century Fox brought out the movie The Diary of Anne Frank in 1959. The Swedish premiere was on 14-9-1959. According to a news report, G. Stevens invested one million kroner in reconstructing "authentic" settings in which the events took place. Some of the scenes were taken at Prinsengracht 263,Amsterdam, and in the warehouse. Stevens was "permitted to remake the building the way it was at the time," which by the way indicates to us that changes had been made. Most of the scenes however were taken at Holly wood where a copy of the warehouse was made resting on springs, which "enables the building to shake at bomb explosions" (*ST, 1958, June 30). The film further enlarged on the hate propaganda spewed out by the Zionists against the Palestinians and Germans. It was argued that this little Jewish girl "becoming the symbol of the Persecuted Jewish child" (EJ, op.cit;54) gave sufficient reasons why the Palestinians must become the victims because of Hitler. Almost no criticism was voiced in the public media against such monstrous brain washing. It would be interesting to know how much money the father has made on these projects. Some have stated it runs into the millions. One estimate has been 20 million DM. (Heinz Roth, Anne Frank's Tagebuch Der Grosse Schwindel). At least one school and a street have been named after Anne Frank (*AB, 1956, Dec. 12). The Montessori school which she attended was renamed after her (Schnabel, 2:42; AFFA:5).

The AFFA booklet has an article by Henri F. Pommer where he writes of the girl:
"The legend she founded is the kind her destroyers had tried to wipe out. She is a Jewess spoken of by Germans as a saint; she was an object of hatred, and has become a vehicle of love. In Frankfurt-am Main, a memorial plaque now marks the house where she lived from 1930 to '33, and in '57 her birthday was celebrated in St. Paul's Church .. and the house where she wrote the Diary has been turned into a museum by a group of Christians. In Vienna and Tel Aviv, money has been raised to plant an Anne Frank forest near Jerusalem. In West-Berlin, a center for social work with young people has been named after her to symbolize racial and social tolerance. In the United States, Anne's twenty five months of hiding became the object of an extremely popular Pulitzer Prize play, and a costly, top notch film. The play, in its turn, produced a wave of philo-Semitism in Germany" (5,6).

The same writer claims that "Anne has been the object of research leading to a CAREFUL BIOGRAPHY" obviously thereby meaning Schnabel's ludicrous book (6). All this must sound sickening to the readers when we now present evidence the "document" nothing else but a palpable fraud. In order to perpetuate the swindle an organization was created:
"After World War II an organization in the name of Anne Frank was set up and maintained in the house where the family had hidden during the war. The Anne Frank House serves as a museum and meeting place for youth to further the aims of peace." (EJ, op.cit:54; compare *AB,1957, Aug. 7).

A Swedish news report in ST of May 4, 1960*, states the Anne Frank House will become an international house for youth:
"As a worthy introduction to Holland's 15 year commemoration of her liberation the famous Anne Frank House at Prinsengracht in Amsterdam was opened on Tuesday after three years reverencial restoration. Otto Frank, Anne's father, who partook in the ceremonies became so touched he was unable to complete his speech."

Apparently not all were equally touched or enthused. The same report continues by stating that some years previously, confrontations erupted between German tourists where some even had the bad taste to sing Horst Wessel's song. To prevent a recurrence, the German customs gave out a circular informing the tourists not to be provocative, stating it would be best if they were to remain indoors on Wednesday and Thursday. A later report states that the Anne Frank Foundation resolved to found an Anne Frank Academy where youths from the whole world could meet to study what could be done to obliterate racial differences and "create better relations between mankind" (*AB,1965, Jan. 30). It is claimed by the father and his supporters that the "diary" stands as a living and truthful testimony and as a bulwark against fascism, Hitlerism and neo-nazism. How our exposure that the "document" is a fake will affect this claim remains to be seen. The official Anne Frank Foundation (no date) brochure (AFF) states:
"The Anne Frank Foundation owns the houses at 263 and 265, Prinsengracht. Part of the admission fees, as well as gifts and donations from friends of the House all over the world, are used to maintain the houses... The board of trustees and managing board consist of Jews, Christians and representatives of nonreligious groups of various political convictions. But all of them are united in their vigilance against fascism and they condemn everything that is intolerable according to the Diary of Anne Frank and the Universal Declaration of Human Rights."

We would have hoped they had been equally vigilant against frauds and deceptions. A further reading of this folder clearly indicates that the purpose of the "Foundation" is to foist prejudices against certain groups and to operate as a propaganda tool for the Zionists. Those wanting further information about the "museum" should write: Anne Frank Foundation, 263-265, Prinsengracht, Amsterdam C, Holland, Phone 020 24 28 37 & 24 10 97.
4

Apparently not only the warehouse itself but the "entire complex" of surrounding houses was DONATED:
"Twelve years after Anne's death, when her Diary was already world famous, it became known that the owner of the house had decided to have it pulled down. It goes without saying that everything possible was done to prevent this. The owners of the leading Dutch Ladies Juvenile Coat Factory, H. Berghaus Ltd., then made the magnificent offer, that for the occasion of their 75th anniversary, they would donate the house to the "Anne Frank Foundation." But there was yet another danger. There had been talk of pulling down all the surrounding houses, to make room for modern office buildings. Should this have happened, the atmosphere of the house on the Prinsengracht would have been entirely altered. The owners were prepared to sell the group of houses that they had bought on the Prinsengracht, and on the Westermarkt for (350.000. The Mayor of Amsterdam was approached, and proved to be very understanding and helpful. He started a campaign to gather sufficient means to buy up the whole block of houses. In a personal letter and in public announcements, he pointed out that the ATMOSPHERE round the Anne Frank House must be saved, and that it could be made into an international place for young people. Thanks to contributions from all parts of the world, this became possible. Having acquired the entire complex, the Anne Frank Foundation was in a position to carry out structural alterations. The building no. 265 Prinsengracht next door to the Anne Frank House, was united with the original property. The old groundfloor store room, mentioned by Anne in her Diary, was rebuilt as a hall where we can receive visitors and hold lectures and seminars. It is of course, a pity that as a result of these alterations staircase A has disappeared and staircase B (see plan of the secret annexe) can no longer be used The loss of the latter, in particular, is regrettable: this staircase was used after office hours by the inmates of the Secret Annexe" (AFFA:28 9).

In this way the mayor, the Dutch people and a whole world were conned and thus created the Anne Frank Foundation monstrosity.

In a work of this nature where a young girl would reach from 13 to 15 years of age we would expect some stylistic changes to show up. For instance, in the 5th edition of the 38 page, official brochure called Anne Frank Foundation Amsterdam (AFFA) we are shown on pages 6 and 10 various photographs of the girl at different ages. Conspicuously we are not shown her handwriting at different ages. Instead the brochure concentrates on unimportant side issues. Surely, several examples of her own handwriting would be relevant here. At the end of the brochure on page 36 we finally are shown an excerpt purporting to belong to Anne Frank (Fig. 13), then 15 years old. Somehow this excerpt, the only one given in the brochure does not fit our conception of a girl at that age. It certainly has no relation to the handwriting found in Life, International ed., 1958 September 15 (BR-RH, Nr 4, Fig. 9). It appears much more genuine for a girl at that age. The entire Anne Frank case throws up series of questions, all of them becoming more and more suspicious as time moves on. We recall how the father is throwing a blanket of silence on the issue. Why for instance, instead of all these Zionist propaganda and atrocity stories appearing at the Anne Frank House, are we not shown the actual prime source material of Anne Frank? Why is not the actual "diary" exhibited at this center, a place much more fitting for a documentary of this sort than in an alleged bank safe in Switzerland?
5

The AFF folder states:
"2. The Foundation regularly organizes exhibitions on topics which are related to the history of the House: oppression, persecution and discrimation. Examples of exhibitions held by the Foundation include: "Migrant Workers" and 2000 Years of Anti-Semitism". Here, too, guided tours are given to groups if requested."

It is indeed passing strange why no exhibition has been made showing the actual documents and handwritings of Anne Frank. At least one should expect the "diary" exibited. But also Anne Frank's other "documents" should be exhibited such as:
"After the entry of March 29, Anne's expressed desires to be a journalist, and then a famous writer, grew more numerous. [Possibly an invention included in the diary to make it appear she was a competent writer and could have written the diary.] Writing would, she hoped, enable her to live after her death; [More likely the father's wish.] She wrote short stories, even wanting to submit them for publication. Do you Remember?, a collection of fables and little personal experiences, was published in Holland after the diary and has become "something of a minor children's classic." In 1959 its contents became available in English in The Works of Anne Frank" (AFFA:15).

Why are none of these original documents exhibited? At Kungliga Biblioteket (Royal Library), Stockholm, Sweden, the priceless Devil's Bible of the 12th century is permanently exhibited to all visitors (without an extrance fee) and at Carolina rediviva at Uppsala numerous priceless documents can be seen by all visitors, the most unique perhaps being Ulfila's (311?-381 A.D.) "Silver Bible;" Codex argentius. Apparently Mr. Frank is so little concerned about his "documents" that he has not even bothered to display photocopies of them at the museum!

The Anne Frank Foundation is constantly begging for money. It should have no problem to encase the Anne Frank exhibits in proper display cases. Their refusal to do so should indicate to the careful investigator something is smelling. To further indicate the immensity of the hoax the EBM informs us that:
"The hiding place on the Prinsengracht Canal has become a museum and SHRINE. In 1957, 2,000 young Germans marched in rain to the camp where Anne had died" (Vol. 4:279).

If the Anne Frank case should turn out to be a hoax, a thing which we will conclusively prove, it must, in view of its vast undertaking and impact on world opinion, be one of the most flagrant literary hoaxes ever foisted on mankind.

THE FORGERY UNMASKED

[link to www.radioislam.org]

We feel our lengthy presentation has completely shattered the Anne Frank "document" and has unmasked it for what it really is: a forgery. We have endeavored in our First Part of the book to analyze the historicity and veracity of The Diary of Anne Frank. For this task we have used the material at our disposal. We would have wanted to make a thorough investigation of the VIRGIN source material. However Mr. Frank who had previously shown a spirit of cooperation later refused all further contacts between us when he found out that we wanted to investigate the virgin source material. Nevertheless, our concentration for the first part of this book has been on the INTERNAL evidence of the diary itself. The Cardinal edition (1963, 36th printing) was used. As there are discrepancies between the various translations we have nevertheless used the English version seeing it is the version most widely circulated. It has not been an easy task for us to untangle the labyrinth of confusion which surrounds not only the internal details of the diary but the entire question of how it came to be used as one of the most successful tools for the Zionist cause. A detailed study of the diary itself makes it apparent to every thinking person the story is one hopeless mess of confusion and contradiction. We are sure that after the readers have perused our study they will find additional contradictions. From the evidence we have produced it must be obvious to the readers the "document" is a forgery, a monstrous travesty foisted on mankind by an unscrupulous crowd of people. Without a question of doubt it must be considered as the 20th century's biggest literary hoax. Readers wanting to assist us to untangle the forgery further are encouraged to send us their information and material. Work is already started on a sequel to our study wherein numerous documents and information will be presented exposing and penetrating this racket further. In the meantime we rest with the words of FIAT JUSTITIA, RUAT CAELUM: let justice be done, though the heavens fall.

decrying the Frank diary as a hoax is an attempt to use it as 'proof' the holocaust did not take place.

The very existence of the holocaust revionist movement should be enough to demonstrate that our knowledge of what actually happens in the past is entirely at the mercy of the history books... and those who write them.

Bottom line?
We the poor proles, can never be 100% sure about anything.

Mahmoud Ahmadinejad?

Frank's works include the red-and-white autograph book where she wrote her first diary entries in June 1942, before the family went into hiding in July. That book is on display at the museum now.

In addition, Frank used two school exercise books as diaries once the autograph book was full.

There is also a small ledger from her father's office she filled with quotes she liked from books she had read; and an account book she used to write short stories in.

Finally, there are 360 loose sheets of paper that she used to rewrite the diaries when it became apparent that Germany was losing the war and she began to dream that the occupation of the Netherlands would end and her diary might one day be published.

"I know that I can write, a couple of my stories are good ... there's a lot in my diary that speaks, but whether I have real talent remains to be seen," she wrote on April 4, 1944.

The family's hiding place was betrayed and they were arrested by German police in August 1944. Anne died of typhus in the Bergen-Belsen concentration camp just weeks before it was liberated.


BALLPOINT PENS DID NOT GO ON SALE UNTIL 1945. THEREFORE, ANNE FRANK'S DIARY IS GENUINE.

The Holohoax industry has a history of fraud. Its on their shoulders because of their past to prove what they say is true, otherwise I just assume its another fake.


.

Ballpoint pen micoscopy is highly techinical and i doubt anyone here could understand such a thing.

It is well known Germany had a thriving engeneering department producing rockets and Volswagons. They had an underground ballpoint pen market.

The history is written by the Jesuits who built Israel.

Many Jews died and so did many others, and there were other war agendas at work in Europe and Russia.

why did you just make up total BS? Prove that germany made Ballpoint pens.

.

Anne Frank's Diary

A Hoax

(PDF)

"It has not been an easy task for us to untangle the labyrinth of confusion which
surrounds not only the internal details of the diary but the entire question of how it
came to be used as one of the most successful tools for the Zionist cause. A detailed
study of the diary itself makes it apparent to every thinking person the story is one
hopeless mess of confusion and contradiction. We are sure that after the readers
have perused our study they will find additional contradictions. From the evidence we
have produced it must be obvious to the readers the "document" is a forgery, a
monstrous travesty foisted on mankind by an unscrupulous crowd of people. Without
a question of doubt it must be considered as the 20th century's biggest literary hoax."

[link to ia310827.us.archive.org]

Oh my 5 BS flags that is some priority BS!

I BS your BS flags.

You're a sad little rodent, Opie. But go ahead and devote your life to studying this...it'll keep you off the streets.

Rota you are such an original MOFO. LMFAO

Anne Franks Diary is fake!?!?!?!?!?! say it ain't so. that would mean someone lied and took advantage of the tragedy and death for profit.

whats next are gonna say Jessica Lynches "heroic rescue" was fake, and the Lusitania was loaded with arms to force Germany to sink it to drag the USA into World War I, and that Germany even tried to warn Americans (something like 18 different newspapers) with newspaper articles warning them beforehand that the ship was carrying arms and would be sank, and the American Government (aka PTB) managed to stop all but one of the advertisements from being published.

Thats just crazy talk....."Go sell crazy somewhere else, we're all stocked up here" < Jack Nickleson.

What girl seriously hopes hat her diary is published? Odd.

It really amazes me how much hate it must take for a nationality to have their history destroyed by a group of people hellbent on erasing it. I simply don't get it. I am 100% Irish and have plenty reason to dislike Brits, but, I chose to channel my efforts on improving my life and the lives of my children, and hopefully their children. I simply do not understand this level of contempt.

Not odd, Fake.

I don't have an original bone in my body.

+10

Sorry you are so hell bent on believing propaganda is absolute truth, but then that is the reason for propaganda, to make reality easier to live with.

I had heard this hoax thing about Anne Frank earlier this year.

I will never forget reading that book as a young girl and how much I loved it.

I will say this though - I can't imagine how a 12 or 13 year old has the presence of mind and talent to compose such an insightful and well written story.

I don't know if it's a hoax or not, kinda doubt it cause anything is possible.

Look at Mozart, for one....